The Museum at Snug Harbor
The Museum at Snug Harbor
Currently On View
This exhibit has been made possible, in part, through support from the Institute of Museum and Library Services
A collaboration with Jacques Marchais Museum of Tibetan Art, Infinite Compassion introduces visitors to Buddhist art, culture and belief across Asia. After the Buddha, Avalokiteshvara, is the most ubiquitous deity in Mahayana Buddhism. This revered Bodhisattva promotes compassion. The exhibit will interpret this aspect of Buddhist art with sculptures, ritual objects, and paintings (thangkas) from India, Tibet, China, Nepal and Japan, as well as contemporary Asian art.
After the Buddha, Avalokiteshvara, is the most ubiquitous deity in Mahayana Buddhism. This revered Bodhisattva promotes compassion. A Bodhisattva is an individual who, upon achieving enlightenment, renounces his/her own Nirvana (extinction) in order to help others achieve enlightenment. The exhibit will interpret this aspect of Buddhist art with 46 sculptures, ritual objects, paintings (thangkas) and photographs from India, Tibet, China, Nepal and Japan, as well as contemporary Asian art.
Guest Curator and scholar Patricia Karetzky, (O. Munsterberg Chair of Asian Art, Bard College), developed the exhibition content in collaboration with the two museums. Additional works will be on loan from the Rubin Museum of Art; the Godwin-Ternbach Museum, Queens College and private collectors.
Remember the Mastodon: Diversity & Preservation
A Richmond County Savings Foundation Exhibition
with additional funding from the federal Institute of Museum and Library Services (IMLS).
Remember the Mastodon is about the hard facts of extinction, the wonder of enduring species, the importance of bio-diversity and the challenge of preservation. Includes fossils, lost bird species, and a full-size replica of a Mastodon emerging through the wall! Visit the Museum opening weekend to help name the newest addition to the Museum team!
Read about Remember the Mastodon in the New York Times.
The exhibition traces this borough’s unique history and landscape from the 17th century to the present. These works are made by amateur and professional artists, working in a broad range of styles and materials from ink drawing to anaglyph 3-D video.
After a successful run of one year, about half of our inaugural exhibition, Staten Island SEEN has been taken down to make way for our latest offering, Infinite Compassion. You can still view parts of Staten Island SEEN on the second floor in the Elizabeth Egbert Gallery.
Presenting art objects spanning 4,000 years of artistic endeavor gathered from five continents: Africa, Asia, Europe, North and South America. Countries represented include Germany, Greece, India, Japan, Liberia, Mexico, Nigeria, Peru, and the United States. The oldest piece is an Egyptian funerary statuette of a striding man, dating from 2,000 BCE.
A glimpse into Staten Island’s unique history, its people, and the themes that resonate as collective truths on this unusual island using images and historic documents, audio interviews, and digital collections. This exhibition strives to reunite Islanders with their past and share the evolving story of New York City’s Borough of Parks with visitors. From Farm to City: Staten Island 1661-2012 was created by the Museum of the City of New York. The exhibition focused on land-use on Staten Island. This legacy exhibition focuses on the people and themes that define the Island throughout history.
Main Exhibition Sponsors: